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Chikinki/Koreans/Kaiser Chiefs @ Metro Club, London, 04.05.04

CHIKINKI

Underpivelged northern boys and a couple of Koreans upstage the relentless chaos of Bristol's favourite square-pegs.

04/05/2004

T’Chiefs are the best thing to come from Leeds since, well the Music. With enough melodies to send the Beach Boys surfing, and a healthy smattering of bleeps and blurbs, it’s SFA whooping an’ a hollering, buzzed up on youthful exuberance. Impending single ‘Oh my god’ shivers and shakes with stripped down eccentricity, whilst front man Ricky Warwick does a mean impression of a puppy fatted Ian Curtis shakin’ what his mama gave him. Whatever’s in the water up north, it seems to be working. The Coral confused, The Music messed and The Kaiser’s created. Welcome to the birth of another multi syllable genre. It’s Alt-Brit-Pop, no it’s Brit-Alt-Pop. Whatever they are, the Kaiser Chiefs are leading from the front.

Next up, The Koreans. Two leather jackets, two lead singers. Seems to be a common formula at the moment, but if you were expecting uber cool and moody blues, you’ll be pleasantly surprised. The Koreans' all singing line up of Peter Hayes look-alike, Oliver Hicks, meets Bryan Adams look-alike, Brent Newman, is a battle of the bleeding hearts. Their vocal efforts form the centrepiece of the beautifully crafted waves of giddy pop melodica. When their eyes roll into the back of their heads, you get the feeling they’ve floated to a higher place, and we’ve been invited for the ride. As the songs transcend from pop simplicity to a humming intensity, and as they melt into their jackets, perhaps there’s just a little coolness in there somewhere.

Taking the fundamentals of drum n bass before rampaging your way through glam rock with total abandon is no mean feat. To pull it off would be a fucking miracle, and Chikini’s arrival on stage makes it all the more unlikely.

Chikinki’s pacey, pulsy noise mongering style is a genetic calamity of a Kid A Radiohead, and King Adora. Rupert Browne’s stage presence has all the sensuality of an asylum outpatient, whereas the music is off beat, off kilter and off Richter. Chikinki’s reliance on electronics is a brave at best, and they earn kudos for it. Everything about Chikinki is relentless. Rhythm is brutally sacrificed for energy and excitement, and where clarity is left floundering, chaos rages. ‘Wave your hands if you like to fuck!’ he screams. Well I think I do…

Relevant sites:
http://.www.chikinki.co.uk/



Sherief Younis for Crud Magazine 2004©


04/04 22-20s - Live - Forum, London
04/04 Charlatans - Live - Hammersmith Apollo, London
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