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Summer Sundae Weekender @ Leicester De Montfort Hall and Gardens, 14.08.04

SUMMER SUNDAE WEEKENDER

Mature, red, tasty and satisfying. Not what you'd expect from a sundae - but always expect the unexpected with Natasha House. Who's in the house? Nobody. They're in the garden...

06/09/2004

THE good people of the Summer Sundae really like cheese. Your Crud reporter discovered this after sending trusty ‘moles’ into the wilderness to report back on the full festival experience, music and otherwise, thus buying more drinking time and solving the usual festival conundrum of not being able to be in more than one place at once.

Said Moles returned with a complete survey of the fest-goers’ favourite cheeses. Which did little to help with Crud’s coverage of the Summer Sundae Weekender, but did inspire some lovely conversations on the metaphoric co-relation between bands and le fromage.

KasabianStarting with Kasabian, who would surely be the crumbly mature cheddar of the cheese world – a stonking great powerhouse of flavoursome cheesiness oozing maturity and demanding to be washed down with a good drop of claret or similar. Because once you’ve heard them once, you’ll want to hear them again just to check whether that ravaging, politicising full-bodied stench was music or something much, much tastier and satisfying. The Crud moles were in full agreement – Kasabian demand respect. Much like the Cathedral City of the cheddar world, they’re here to take something really good – in our case, rock music – and make it even better so you can slap it on toast and eat it for your lunch. Wholly satisfying.

Bands Die On Hot StagesWhich is more than can be said for the Red Leicester of the line up, Dogs Die In Hot Cars. So dubbed after it was concluded, Red Leicester is by far the most disappointing of dairy delights. It promises so much – the reassuring texture and shape of good old-fashioned cheddar tinted an exciting shade of red. But really, once you eat it, you wonder what all the fuss was about. Quite frankly, DDIHC don’t deserve the column inches necessary merely to accommodate their ridiculous name, let alone any effusing about their disturbingly Chumbawumba-like brand of Glaswegian guitar pop.

In the ‘up and coming’ tent, a cosy marquee erected in front of the De Montfort Hall and emblazoned with the BBC6 Music logo to remind us these are people who play music that matters, Ghinzu stole the show back from Kasabian to be crowned the Roulee of the day. Slightly dubious looking, with a strange outer coating– is it herbs or parsley? No one seemed to know – made all the more appealing by creamy swirls of whitest cheese packed with the punch of a thousand cloves of garlic – in other words, after ten minutes of Ghinzu’s mad riff-driven sleaze rock you wouldn’t want to kiss a soul. They looked weird like your dad in the seventies, sounded great like The Datsuns if they weren’t such pompous gits, and could liven up the dullest of crackers. Write to Sweden and ask for them to close all borders, we want Ghuinzu on tour in the UK by the end of the year.

Now as the BabyBel of summer festivals (smaller, cuter but just as tasty as the likes of Reading and Leeds), the Summer Sundae has a good reputation for being the most laid-back of music events. People come, they listen, they smile and sometimes let their kids go to sleep perilously close to the hoards queuing up at the signing tent, but everyone goes home happy. Easyworld went a long way to upholding that tradition this year, and turned out to become this reviewer’s Brie. Twelve months ago, Brie was all that is bad and evil and suspicious about the Waitrose dairy counter. But its bland, colourless appearance hid a creamy taste sensation now a staple part of many a bacon sandwich. And so where previously the mere mention of the name Easyworld left a bad taste in the mouth of a sincere Britpop lover, their set in the glorious sunlight of a lazy Summer Sundae afternoon confirmed them as the tasty accompaniment to the modern music scene they truly are. A Britpop band doing long piano pop ballads? Not an appealing prospect, but ‘Til The Day’ turned out to be one of the best songs of the festival. Understated, beautifully written and genuinely enjoyable to listen to. Bring out the bacon.

Super Glarey AnimalsThe evening was supposed to be the true test of the Crud mole strategy – two stages, two brilliant bands and severe timetable clashes. As it happened, the cheese took up too much time which leaves only the Beta Band and Super Furry Animals left to talk about. The former will bow out later this year after a bizarre career as simultaneously the most praised yet underrated British alternative bands to grace the scene. Hence one of their last festival performances bore a hint of sadness, but established them as the triumphant Roquefort of the cheeseboard. Luxurious, expensive and ludicrously good, Roquefort is a cheese not to be wasted on the untrained palette. The Beta Band would never have conquered the masses with their precise arrangement of multiple instruments to create, ironically, songs of shambolic greatness, but it doesn’t matter. Because they still get the best wrapping – you wouldn’t catch a piece of cheddar in a coat-of-arms-stamped foil cloak, now, would you? And that’s what’s great about them – it’s not just the uplifting anthems like Dry the Rain that make them so good, it’s the whole package. There will never be any band quite like the Beta Band.

Equally special are the Super Furry Animals, probably the Welsh goat’s cheese of the Weekender. And no, the metaphor has not been tinged by lazy racist insults – Welsh goat’s cheese happens to be the funkiest tasting cheese imaginable. Like Brie but with bite. So good you don’t even need butter on the bread to enjoy a chunk of smoky, soft, chewy goat’s cheese. Just like the way SFA didn’t need to play any of their ‘hits’ to justify their headline slot. But they did, and we loved them even more for it – Rings Around the World was a single-proper and bought them much love from the Sundae crowd. The little details made the rest of the set even better – Gruff dancing around in a giant cycle helmet which made him look like an alien, for example.

One stray Crud mole was able to report that Lambchop were also excellent, but in the interests of hygiene we’re keeping the meat separate from the dairy products, so we’ll have to leave it at that for now. However we can report that the favourite cheese of the formidable talent that is Mr Kurt Lambchop is….wait for it. Stilton. Informative fun or what? (Thanks to Nicky D and Kievsy for the cheese inspiration and beer.)

Relevant sites:
http://www.efestivals.co.uk



Natasha House for Crud Magazine 2004©


04/04 22-20s - Live - Forum, London
04/04 Charlatans - Live - Hammersmith Apollo, London
04/04 Kaiser Chiefs - LIve - Metro Club, London
04/04 The Killers / Departures - Live - Soundhaus, Northampton
04/04 Glastonbury Festival 2004 part I
04/04 Glastonbury Festival 2004 part II
04/04 Hives - Live - Camden Electric Ballroom, London
04/04 Le Tigre - Live - London Astoria
04/04 Madrugada Live - London100 Club
04/04 Razorlight / Bloc Party - Live - London Astoria
04/04 Reading Festival 2004
04/04 Redjetsons - Northampton Soundhaus
04/04 Sharkey Interview - Sharkey's Machine
04/04 Simple Kid Interview

04/04 Summer Sundae Weekender 2004
04/04 Supergrass - Forum, London
Tanya Donnelly - Bush Hall London
04/04 The Open - Live - London ICA
04/04 This Girl - Northampton Soundhaus
04/04 Urban Voodoo Interview - Coordinates

January 2001
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October - December 2004
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April - December 2005
January - August 2006
September - December 2006
January - September 2007
October - December 2007
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June-December 2008


 
 
 

 

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