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Delays @ Liverpool Carling Academy, 15.1.04

THE DIRECTOR LABEL

Close your eyes and melt. The Delays roll out their peerless class of perfect pop in front of an Academy full of scallies. What better acid test for pop than in the home of the infinitely fab and lovable?

21/01/2004

They don’t make music like this anymore. Well they do, but unfortunately it’s produced, packaged and pushed to a nation who doesn’t know any better. They call it pop. Luckily for us, Southampton four-piece, Delays, have waded through the mire and salvaged what they can with dizzy pop perfection.

It’s a combination of effortless harmonies and cascading melodies, provided by jack in the box keyboardist, Aaron Gilbert. It makes for a refreshing change seeing keyboards used to a purpose, and not reminding you of that piss poor 80’s tribute band that played at your uncles 40th. Pint sized frontman Greg Gilbert has that boy next door appeal, and a choirboy voice that could end wars or at the very least, stand him head and shoulders above the rest of his mewling contemporaries. Proof you don’t need a bumbling c*** and a cult in white robes to make you feel good about yourself. Songs such as new single ‘Long time coming’, Wanderlust’ and ‘Nearer than heaven’ have the poignancy and the ability to make you grab the nearest stranger and cry into their pint of Carling. These boys are anything but your average indie-pop guitar band.

This is pop at its peak and indie at its most pure and melodic, but behind the swagger lies a sensitivity. The pussycat growl of Greg is as heartfelt as it could be harrowing, but musically and vocally, it’s the equivalent of ecstasy. In new song ‘Stop’, the keyboard pummels and stomps with every heartbeat, and its behind the tumbling guitar that there is a definitive electronic edge that has that dancing/foot tapping potential. But tonight the crowd want to drift, not dance. Delays make music where you want to do both. Just close your eyes and melt.

Relevant sites:
http://www.thedelays.co.uk/



Sherief Younis for Crud Magazine 2004©


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