Electric Six Live in Northampton
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Electric 6 @ the Roadmender, Lady’s Lane, Northampton, June 29, 2003

Electric Six Live

With new album, FIRE dividing public and critics alike, Natasha House catches Mr Valentine on the eve of it's release and finds the bewildered looking Dick centre stage and centre of everyone's attention.

04/07/2003

It’s wrong. All wrong. Dick Valentine, frontman of camp-disco-garage-rockers Electric 6 confided in the sold out crowd at the Northampton Roadmender on Sunday that he was nervous about the release of their album the next day. Where the bold, brash and bumptious trash-rock-disco icon of recent media hype? Let me take you on a guided tour of the phenomenon that is Electric 6, and see if you can find him.

They're polite, to start with, praising local support band Kapowski who rocked out in the best set I've seen. It's amazing what crazy rock-posturing, killer tunes and soaking the front row with water can do. And now, introducing our Detroit city natives and hosts for one night only, Electric 6. To your right, guitarist and 70s-pornstar wannabe Frank Lloyd Bonaventure, man with the enviable task of withholding the meanest riff in town until the crowd can contain themselves no more – will he ever tire of playing the opening to Gay Bar? I think not.

Centre stage we have Dick Valentine, geek-made-good, who in another life is a slimy garage mechanic with a penchant for screeching down the house at his local karaoke bar. Maniacal smile, greasy hair, cheap suit and t-shirt proclaiming ‘sexy and rich’ add up to make him the most unlikely rock star in recent history.

Still, he only just manages to live up to his name as the most preposterous man in rock, beleaguered I suspect by the constant feeling that no-one was supposed to take him seriously. But they did. And this is the result – a band that wants to burn the dance floor, take you to a gay bar, power the disco and then take naked pictures of your mother to a soundtrack to make your ears bleed. They sling in a ‘power ballad’ because their record company told them it increase album sales (Valentine’s words, not mine) and finish with a faithful cover of Queen’s ‘Radio-Ga-Ga.’

But there’s a nagging sense when the fire burns out we’ll only remember the two singles and the bewildered look on Dick’s face. Danger, high verl-tage, indeed.

Natasha House for Crud Magazine 2003©


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