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22-20s/Interview by Sherief Younis

22-20s

From Lincoln to Camden. The 22-20s tell of the hype, the hell and the Heavenly. And, of course, the blues. Sherief Younis muddys the waters..

10/10/2004

The industry's best kept secret? Little more than a year ago 22-20’s stormed the headspaces of the minority whilst giving genre a shot in the arm. ‘It basically all came from when we were 18, Martin got into Dylan and started writing songs and having something to sing about’. Coupled with their mini album released last May, what was to follow was an A & R clamour to end all worlds, which eventually saw them sign to Heavenly. A year can be a long time, and secrets are there to be told.

’Finishing the album was a definite highlight. After all the hype it felt like we were already writing our second album, but getting it finished meant we knew how to sound in our heads and find out what we were about.’

Named after ‘Skip’ James, ’22-20 Blues’ they wear their influences on their pinstripe sleeves. Coming from a small village near Lincoln best demonstrates their influences, because quite simply, there weren’t any. ‘It wasn’t like we lived in Camden with people throwing records at us and I suppose we caught the fag end of Britpop. We just missed out on Oasis, so there wasn’t really anything for us. We heard some blues records and loved them, and got snobbish about the fact there wasn’t anything else.’

Bluesy but not quite the blues, their self titled debut album combines a lovelorn tenderness, of loss and want, but a darker side is unleashed. As you’ve probably guessed this isn’t porch and harmonica blues. It’s there in spirit, but musically, it’s more powerful and resonating and gives the blues a new reason to feel sorry for itself. Front man Martin Trimble’s roaming lyrics are delivered with contempt as the doldrums of bassist Glen Bartrup and drummer James Irving roll and hammer with purpose.

Latest single ’22 Days’ shows just how direct they can be. It’s diamond grinding diamond. (Visceral) vocals, and a pounding rhythm gives white noise a new polish. The cynical ‘Why don’t you do it for me’ gives folk guitar some high level voltage, a megaphone and passion, whilst during ‘Shoot your gun’ you can feel yourself sliding off your barstool, watching as your sour mash disappears way up high.

With influences such as Muddy Waters, Marc Bolan and Bob Dylan, 22-20’s seem unperturbed that they’ve unconsciously sculpted their own pilot sound. Martin’s song writing has a simple rhetoric that is answered with the pummelling music of his band mates, instead of his own personal battles.

‘I’ve always hated blues rock. Places would book blues bands who were really earnest whereas we were really direct. We never really tried to sound blues. Martin writes the songs and we play them….as blues musicians.’

But the burning question still remains! Too blues to be rock, and too rock to be blues. What will the record store kids do? Lump them in by the Von Bondies or bump them to the blues section? Or will they forever be damned to ‘Miscellaneous?’ On Glens own admission, they’re sound is at best ‘stand offish’ which in turn gives them their sense of aloof. In avertedly intense and indirectly accessible, potential listeners are invited to expand their musical mind and enter the world of blues.

After an enforced sabbatical of sorts, a full debut album on the shelves and an extensive touring schedule taking in Europe’s finest festivals, expectation rides high. Obviously not when you’re as grounded as they are.

’We have none at all. It’s good to be on the road and its great touring. We never planned on having office jobs so it’s all the better as long as a few people buy the album and get what we’re doing’.

For a band as industrious and designed them, you wonder where their problems come from. No nine to five grind, an up and coming band and soon the money will start to flow..

’Fucking hell there’s so much to choose from. I can ritually think of fifty things I hate daily...but at the hotel last night, it didn’t have any room service, so I had to eat four packets of cheese and onion crisps. I didn’t really want to do that.’

A ha! I knew it! Beneath the cool façade, beneath the diligent exterior, this is the blues. It may not be coke and hookers, or room service just yet, but there will no doubt be a few more whiskeys and rollies on the way. For anyone who missed them the first time round put the harmonica down but as for the A & R guys, enjoy your sleepless nights

Relevant sites:
http://www.22-20s.com/



Sherief Younis for Crud Magazine 2004©

October - December 2004- News Archive


10/04 22-20s Interview
10/04 22-20s Live - Forum, London
10/04 Art Brut, Ikara Colt, Electric Soft Parade - Live - Goldsmith's College, London
10/04 Biffy Clyro - Live - Camden Electric Ballroom, London
10/04 Black Velvets - Live - London Astoria
10/04 Delgados, Six By Seven - Live London Coco
10/04 Dizzee Rascal - Roadmender, Northampton
10/04 Hope of the States - Live - London Astoria
10/04 Read Yellow, Northampton Soundhaus
10/04 Sons and Daughters, University of London
10/04 The Others - Live - London Marquee
10/04 Top Ten Albums 2004


January 2001
July - August 2001
September - October 2001
November - December 2001
January - March 2002
April - July 2002
August - December 2002
January - March 2003
May - August 2003
November 2003
January - March 2004
April - September 2004

October - December 2004
January - March 2005
April - December 2005
January - August 2006
September - December 2006
January - September 2007
October - December 2007
January - May 2008
June-December 2008


 
 
 

 

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