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Morning Runner @ Kings College London, 25.10.2005

MORNING RUNNER

James Berry spends an evening in the company of wolves and asks whether there is a bite behind all the barking. Pete Doherty is mentioned too.

04/11/2005

Deeeeear SIR!!” barked Matt Greener the first time we heard his seething, bold vocal. It was opening up ‘Work’, the lead track off their ‘Drawing Shapes EP’, their debut for Parlophone (Home Of Coldplay™). “We can see that you’re sla-ckING!” he continued, asking “what’s a movement if you don’t move?”, spitting out bile, strapping on his boots, and stomping through the long disturbed grass of a blustery, bruised pop song, the sort probably not heard since The Waterboys hung up their lungs and stopped trying to blow the charts down. It was stirring stuff, improved on with some momentum by subsequent singles ‘Gone Up In Flames’ and ‘Be All You Want Me To Be’. Quite an opening statement and proof, as we took it, that indie pathos with pianos needn’t subscribe to the p’s-and-q’s etiquette framework laid down by Keane.

“Deeeeear SIR!!”, barks Greener, opening their largest London headline date thus far – and you know it is only thus far. Only it’s not so much a bark right now, under these expectant lights. It’s more “(…dear sir)”, an understated “hi, am I interrupting, by any chance?”. Some things don’t quite match up tonight, not immediately. The high altitude view from the otherwise unremarkable KCL Student’s Union bar, overlooking a twilight Thames and glittering South Bank, should be abundant in metaphor for the position they find themselves in, being groomed as an apprentice Coldplay. Only it just sits there, redundant.

They look nervous, which might be fair play on some level, but betrays the unflinching confidence of their recorded output. They seem lucky rather than capable far too often. Straightforward where we expected complexities, anonymous instead of confrontational. From a distance they raise the prospect of contributing little more to the arena than Embrace or Starsailor already have. Hardly a compliment. Nice tunes, if that, trotted out adequately. When the emotion that is all is absent, there’s nothing. A shell. But there is more lurking behind that dark fringe of his. There has to be. It gives him an air of vulnerability that can only help. And possibly a bit-part in Hollyoaks if all this falls through.

‘It’s Not Like Everyone’s My Friend’ finally creaks and gives way half a dozen songs in, audibly and substantially, like there is something of weight on those shoulders after all. ‘Oceans’, whilst polite and sedate, does speak well of their qualities as songwriters, and is performed tenderly. Words can and do leave his mouth as viscous projectiles too, like they were sourced from a much more volatile environment than this. But for pulling all the right moves, they still seem reigned in. They jump, carefully, and the earth doesn’t move. Surprise. It’s almost like the songs aren’t given the liberty to speak for themselves.

They deserve a second chance. They do. Potential isn’t manufactured, that part’s real. But before they head out to promote what will inevitably be an immaculate, awesome (we’re talking scale here, not to be affixed with “dude”) debut album next year they should perhaps roll around in that dirt they only hint at understanding, lose a tooth, graze a knee, collect some scars, build a character. Maybe swap some tunes for a piece of Pete Doherty, they’ve got them to spare. And he isn’t exactly rolling in them. Deeeeear SIR… we just hope we won’t have to write again.

Relevant sites:
http://www.morningrunner.com



James Berry for Crud Magazine 2005©


04/05 British Sea Power - Live - Scala, London
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12/04 Clap Your Hands Say Yeah - ULU, London
12/04 Elbow - Live -Brixton Academy, London
12/04 Franz Ferdinand - Live - Alexandra Palace, London
12/04 Morning Runner - Kings College London
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12/04 Crud Top 20 Albums 2005


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