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Moco @ Monarch, Camden, 30.04.02

 MOCO

Lanky, clod hopping muddy punk. That's Moco. James Berry stumbles in and stumbles out of a gig with tottering torch bearers of a scene with no name.

27/05/2002

The lanky man on stage stops juddering for a moment, partially oblivious to the clodhopping, muddy punk trundling out around him. He eyes the microphone with tainted curiosity and a pervert’s poisonous grin, pulls back the elastic of his pants like a seedy Krusty the Clown demoted by court order to the Camden toilet circuit, wedges the mic into place and grooves for a moment like the drunk lover believing himself to be a skinny, lubed-up helping of love walrus irresistibility. Removing the microphone sharply he brings it up to his nose to inspect his groinal gig hygiene with a facial twitch making Rik Mayall’s work in Bottom look like modern day Shakespeare staring Chaplain. Now, this shouldn’t be funny. Actually it really isn’t. Far from it. You really just want to slap the cheeky little toe-rag out of his self-obsessed ego-pit and half way into next week. But you can’t. You won’t let yourself. Because you’re smiling. Against your will perhaps, but you’re smiling. And besides, he’s only just got started.

The man is Steve Jones and the band he leads with a diligent eccentricity is Manchester’s glimmer of punk hope, Moco. He looks like he fell through Camden Market arse-first into a puddle of amphetamine on the way here tonight. They look like the weird, shy metal kids who’ve never known the joys of eye contact, relegated to the far corner of the playground because their jackets clashed with the Blur fans. Aurally and visually then they remind us of the once almost great Crocketts – a consistent pounding back-beat, heads down, syrupy pub-rock sweat pouring from every orifice, not a great deal else, but looking like they’ve routed the entire power supply through the singer. Only this time we don’t get the impression that there’s a loose connection or nine short-circuiting up in his head at any given moment. No, he’s clearly as sane as a loaf of Hovis. It’s just he has an excessive compulsive attention-seeking disorder that makes Cliff Jones of Gay Dad seem like the bassist from Gomez.

But that’s entertainment, as it may be worth telling Simon Cowell. You may be laughing at him, while he probably thinks you’re with him all the way, but whatever angle he ends up tickling you from there’s no mistaking that he is a spectacle. And not only because he IS Jarvis Cocker on steroids fronting The Ramones. If you’re not paying attention he will try harder – with a healthy disregard for how much of a tit he looks. And such nonchalance towards thyself should be applauded. They find themselves fitting into a current lineage of bands who make no bones about innovation or pushing boundaries or fitting in when the music that makes the hairs on the back of your neck stand on end is already there, largely. And energy could be better spent finding the best way to knock you back, make you laugh/cry/blister/bleed/convulse, because music should strive for reactions. And no matter what they are, this is a band that demand reactions. By the end of their chaotic 25 minutes – climaxing with Steve performing gymnastic loops on a beam above the bar – we’re even beginning to think there could be some tunes in there too. Kind of the missing link between Britpop and the Scene With No Name, one thing’s for sure – they’re better than The Parkinsons.

James Berry for Crud Magazine© 2002



04/02 1 Giant Leap - My Culture
04/02 Elfpower Interview - Andrew Rieger - Creatures
04/02 Frou Frou Interview - Guy Sigsworth/Imogen Heap
04/02 Gomez Interview - Ian Ball
04/02 Idlewild - Live - London Astoria
04/02 K's Choice Interview
04/02 Leaves - Live - Camden Dingwall
04/02 Longwave Interview - Exit
04/02 Lucy Mongrel Interview
04/02 Oasis - The Hindu Times
04/02 Phantom Planet - Interview
04/02 Unwritten Law - Interview
04/02 VUE - Coordinates Interview
05/02 BRMC - LIve - Kentish Town, London
05/02 Breeders - Title K
05/02 FC Kahuna - Machine Says Yes
05/02 Moco - Live - London Monarch
05/02 Need New Body - Interview
05/02 The Soundtrack of Our Lives - Live - Soundhause, Northampton
05/02 The Bellrays - Meet The Bellrays
06/02 Fleadh Festival - Finsbury Park
06/02 Frou Frou Coordinates Interview
06/02 Incubus - Interview - Mark Einziger
06/02 North Mississippi Allstars - Interview
06/02 Papa Roach - She Loves Me Not
06/02 Proud Mary - Live - Northampton, Soundhaus
06/02 Pulp - Live - Sherwood Pines, Edwinstowe
06/02 Reindeer section - You Are My Joy
06/02 Silverchair - Diorama


06/02 Something Corporate - Leaving Through The Window
06/02 Soinc Youth - Interview
06/02 The Burn - The Smiling Face
06/02 The Coral - Live - Roadmender, Northampton
06/02 The LIbertines - Live - The Social, Nottingham
06/02 The Vines, Sheffield Leadmill
06/02 Trik Turner - Interview
06/02 Yeah Yeah Yeahs - Live, Soundhaus, Northampton
07/02 12 Stones Interview
07/02 Arolo -Interview
07/02 Buy To Let Doncaster - Anti Social Behaviour
07/02 Cassius - Interview
07/02 Farrah - Interview
07/02 Glassjaw - Interview
07/02 Neil Michael Haggerty - Interview
07/02 Hoobastank - Running Away
07/02 Leaves - Interview
07/02 LL Cool Jay Interview
07/02 Oasis - Live - Finsbury Park, London
07/02 Polyphonic Spree - Live - Camden Monarch
07/02 Queens of the Stone Age - Songs For The Deaf
07/02 Super Furry Animals - Interview
07/02 The Beatings - Live - Metro Club London
07/02 The Bellrays + The D4 - Virgin Megastore, Oxford Street London

January 2001

July - August 2001
September - October 2001
November - December 2001
January - March 2002
April - July 2002
August - December 2002


 
 
 
 

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