Hell Is Heroes Live at the Brixton Academy in London
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Hell Is For Heroes @ Brixton Academy, 07.11.02

HELL IS FOR HEROES

With a 'bounce' of bewilderment and a faceload of acne James Berry wades into the ever swelling tide of metallers and discovers something nu inside.

15/11/2002

Crud is quite well aware that the problem may be that we just don’t ‘get it’. Or maybe we do get it. Maybe we got it a long time ago and disregarded it without a thought, because truth be told there’s not a lot to get, or worth getting. But it still makes us sick to the pit of our stomach to be in a room surrounded by people getting it. People who get it and nothing else. If you don’t have a Papa Roach (tonight’s show toppers) t-shirt on you have a Korn hoody. And if you don’t have that you have a low slung chain of sorts, or a reversed cap, or a pale complexion and unspecific acne. Conformity, kids, conformity. So every genre or collective or gathering has bonds, threads and yup, conformity. So what? Every genre or collective or gathering isn’t lurched so uniformly under the tip of the hypodermic syringe waiting patiently for their soul to be raped or battered about, scratched a bit at the very least. At least the syringe comes shrink-wrapped and sterilised.

It’s like pop did eat itself, and was sick on its new trainers after. Not to worry, mum will throw them in the washer when you get home. But are Hell Is For Heroes nu-metal? Maybe, maybe not, but they exist because of it, that much is known. The jagged guitars, the chord changes that make you want to scrawl ‘KERRUNCH’ Batman-style in red and yellow across their foreheads to undermine the earnest angst being shoehorned from the singer’s bellowing trap, the sharp almost choreographed leaps that replace the scissor-kicks of hair-metal. All present. It’s no surprise to find them tagged to the bottom of this bill, under The Murderdolls’ lame glam-metal pantomime and Papa Roach’s angst building block factory. What is surprising is that they go on and prove some kind of worth in this situation and don’t just fade inconsequentially into the transposable angst mesh with a power chord between their teeth.

So not nu-metal then? Well, not entirely. As ascertained briefly above they certainly would not exist without its (former?) dominance, but tonight (perhaps every night then) they are clearly coming from the school of nu-Brit-metal that’s blessed the genre with a not inconsequential grasp of humanity, something a little beyond the machine. And whether or not that matters a jot elsewhere, it’s a breath of fresh air in this arena. So they end up sounding like they’re on the same contained emo smorgasbord as Hundred Reasons, Lost Prophets, even Muse and from their history pull over a touch of the naivety that made Symposium perform like they really believed they were the fattest sounding band on the planet, only with less fresh faces. There is a bounce of excitement in their step and the songs, such as singles ‘I Can Climb Mountains’ and ‘You Drove Me To It’, hit you with an intensity that evades the videos’ constant rotation on MTV2. There is something there and tonight that something – partially through no fault of their own, admittedly – does take your full attention.



James Berry for Crud Magazine© 2002


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