Kinesis Live at The Garage in London
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KINESIS Live @ The Garage, London, 18.10.2002

KINESIS

Tighter and meaner than ever before: and that's just the bands' underpants. Beating at the door of The Beatings: meet Kinesis....
...... 'Kin Hell....

30/10/2002

You’re young, and hell, we’d like to see the ID that got you past the gargoyle heavies on the door. Then again, looking at some of the clientele cowering in black in the shadows by the bar maybe we’re just getting old. You are supporting The Beatings, the very latest inventees of a scene that’s far from running out of steam for churning them out with that traditional panache. And attracting an audience who read about punk in picture books and want a piece of the recycled action (so admittedly better for the environment, which can only be a good thing) so long as it’s got a label on and there’s none of that nasty jumping about involved. You’re going to have your work cut out. Especially when you’re drawing on influences 15 years too late for flavour of the month too. You are Kinesis, but despite not being The Beatings or any shade thereof, you play like maybe you’ll make a difference. Just maybe. And that being different in itself has every chance of making the world of difference.

There was a time when being a band with an agenda would merely make you a drop in an ocean, part of the collective cloth (remember the early 90s, remember everyone from Billy Bragg to RATM to PWEI to Sinead O’Connor to Blaggars ITA to The-bloody-Levellers and beyond?). But how the table’s choice of covering turns. And for that reason Kinesis seem at the very least worthy, if not quite important. Their irritated collision of grunge’s harder edges and modern vigour makes you crave for them to take that next step and actually be important. But if there’s a problem it’s that they still look like they’re at the world’s behest, when that should be the other way around.

They are tighter and meaner than when we first saw them, but in ways it seems like being part of the apathetic generation they’re rallying against has rubbed off on them to some extent. They want us to listen but won’t yet make us. Their early Nirvana / mid Pumpkins / old Idlewild / good Llama Farmers / straight-faced Pixies musical policy statement is a spiky enough cocktail for the ears, but we’re left waiting for them to force it down our throats. Forthcoming single ‘Billboard Beauty’, the chunky ‘Everything Destroys Itself’ and especially a toxic ‘…And They Obey’ sparkle like nuclear fused sound and long-range-vision. But playing to this generation as they are, they’ll probably be needing more than brilliant t-shirt slogans and songs durable enough to be hummed or moshed if they want to be more than a fashion statement for disenfranchised adolescents. If this was just fun, there would be no problem, only they are capable of so much more. Especially when there’s so much in front of them to get their hackles up. And it doesn’t seem such a big step, let’s hope they can take it.



James Berry for Crud Magazine© 2002


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January 2001
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