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TAILB KWELI/QUALITY released 18 November on MCA

TALIB KWELI - QUALITY

Articulating the gospel of the street and MCing with the divine breath of a fly angel - meet Talib Kweli - one half of Blackstar with Mos Def - urban liberator and verse buster general.

28/11/2002

The eldest of two sons born to parents who were both teachers, Brooklyn born, Talib Kweli Greene is the latest in a selection of 'conscious' rappers dedicated to the unearthing of a demonstrable truth in rap and ghetto music. Considering that the Arabic translation of Talib Kweli means “student of truth,” it’s perhaps only natural that his ethically grounded and socially relevant approach to MCing was destined from birth. But this might lead to the assumption that Kalib's album Quality, out now on MCA Records is somehow preachy or pretentious - but you couldn't be more wrong. Taking the social and moral cue from MCs like Lewis Parker, Kalib Kweli has fashioned from the disparate shards of beats and breaks and retro flavoured hip-hop an original urban gospel as cool and effortless as the funky riffs that underscore it. And like any gospel it's as much about adequate communication as it is about morality:

“Hip-hop became a way for me to write and be cool; it gave me a language to speak to my peers,” he continues. “In junior high, I started writing rhymes for my friends, and then I eventually began writing rhymes for myself.”

Even as a child, Kweli is sadi to have been a gifted writer. In elementary school, he began writing plays, poetry and short stories, however, he had his eyes set on becoming a baseball player. “I wasn’t really one of the cool kids,” Kweli recalls.

In high school, Kweli found a kindred spirit in Dante Smith, whose equal passion for hip-hop saw him eventually gain notoriety as Mos Def. Hanging out in Washington Square Park in downtown Manhattan, where aspiring MCs from all five boroughs of NYC the two of them would converge to battle it out.

In 1994, on a visit to Cincinnati, Ohio, Kweli met Tony “DJ Hi-Tek” Cottrell, who, at the time, was the producer for a local hip-hop group named Mood. Impressed by Kweli’s rhyme style, Hi-Tek tapped him to appear on several tracks on Mood’s 1997 album, Doom. That same year, Kweli and Hi-Tek released “Fortified Live” as a single on Rawkus under the name Reflection Eternal. The track, which appears on the first volume of the Soundbombing compilation series, became an instant underground classic that immediately established the duo as an up-and-coming force to be reckoned with.

At a time when mainstream hip-hop was both dominated and stifled by self-indulgent blagg about money, cars, jewelry, hoes and clothes, Kweli teamed up with Mos Def to record and release an album as Black Star. Articulate, conscietious and addressing issues of social consciousness and self-love the record inspired a new rap fantasy - a fantasy based as much on shaking your mind as much as your ass:

“As a resource, hip-hop has been greater than any music we have,” says Kweli. “The possibilities for what we can do in our communities, for people’s self esteem or their economic situation is what is so exciting. It’s beautiful that I can use this resource, sell records and still just be Talib Kweli.”

In 1999, Kweli and Mos Def teamed up once again to spearhead the making of Hip-Hop for Respect, a four-song maxi-single featuring 41 MCs—including Kool G. Rap, De La Soul, Common and Dead Prez—who collaborated to protest the murder of Amadou Diallo, an unarmed African immigrant shot 41 times by New York City police that same year. Kweli’s next creative project dropped in 2000 when he and Hi-Tek reunited to record Reflection Eternal.

The new record, Quality is a sign that those early inspired flights of imagination are coming to maturation.

Upbeat, sexy and with the usual parlances of jazz and r n b thrown around fluid but penetrating raps it's an album of ecstatic highs and blessed, bruising blues with some genuinely moving highlights, not least 'Talk To You (Lil' Darlin) featuring the angelic Bilal on vocals.

Musically, Kweli enlisted many of today’s leading hip-hop producers to lay Quality’s sonic foundation, including Ayatollah, Dave West, Megahertz, Kanye West, Jay Dee, DJ Quik, the Soulquarians, Da’ Houd and DJ Scratch. Kweli also collaborated with a host of notable guest stars, including his Rawkus label mates Mos Def, Pharoahe Monch and newly-signed hip-hop–soul singer Novel, along with Common, Black Thought, Res and Bilal.

“Quality is about me growing as a man and as an artist and continuing what I’ve been known to always do, which is place quality over quantity,” Kweli explains. “I will never do a record without some sense of responsibility. Even if you don’t agree with what I have to say, even if I’m speaking something that’s not relevant to your life, you’ll still be able to appreciate it.”



Alan Sargeant for Crud Magazine© 2002


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January 2001
July - August 2001
September - October 2001
November - December 2001
January - March 2002
April - July 2002
August - December 2002


 
 
 

 

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